-
Starsky and Hutch go undercover in a gay bar to fight the war against drugs. Unfortunately, the guy they go up against (Joshua Bright) who decides to rid the world of one more do-gooder cop, kidnaps Hutch, and tortures him for information on the names of the people he works with. There is rescue and comfort at the end, but… -
The title (and concept of the story) comes from a line from a collection of poems by Kahlil Gibran called “The Prophet.” The line is as follows: “And ever has it been that loves knows not its own depth until the hour of separation.” From there follows many, many pages of angst, grumpiness, insomnia all set against the stage of… -
ArtFictionSlash Art in FictionSlash Episode-RelatedSlash FicSlash Post-SeriesSlash Pre-SeriesStarsky tells his own story of how he and Hutch fell in love. This is a companion piece to Velveteen Hutch. Art by Lorraine Brevig. Originally published in Venice Place Chronicles VIII in 2008. I almost died once. I was the focus of a hit from Gunther Industries, and Hutch says that by the time he got to me,…
Corduroy Starsky
-
This is a story about two cops who happened to be in love. Only they didn’t know it right away. The companion piece is Corduroy Starsky. When I arrived in L.A., I was going to be every criminal’s worst nightmare: a hall monitor with a badge. They had them in Duluth when I was a kid in junior high, and… -
After a lengthy stay inside the Cabrillo State Mental Institution, Starsky has a great deal of trouble coping with the memories and the bad dreams following his harsh treatment there. He tries to hide it from Hutch, but, of course, Hutch is too smart and finds out anyway. Care and maintenance ensues, Hutch style. Originally published in Venice Place…